WOLF & WARRIOR TOOLED LEATHER FOLK ART ORIGINAL PICTURE NATIVE AMERICA INDIAN NA

 

 


 



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THE WOLF AND THE DOGMEN

OR

 THE MYSTIC

 

 

 

LEATHER WORK PICTORIAL

BY NATIVE AMERICAN ARTIST

JASON YOUNG BUCK.

COPYRIGHT 1999.

 

WRITTEN BY THE ARTIST:

"THE WARRIOR HIMSELF CARES WITH EXCITEMENT, VAUNTING HIS EXPLOITS IN LOVE, WAR, OR THE CHASE AND WILL COMMIT ALL SORTS OF EXTRAVAGANCES WHILE TELLING OR LISTENING TO EXCITING STORIES IN EVERYDAY LIFE.

I AM FULL BLOODED AMERICAN INDIAN, HALF SOUTHWEST PUEBLO AND HALF NAVAJO (CENSUS UNDER THE NAVAJO TRIBE). MY INDIAN NAME IS "GAUT - NEE" LITERALLY TRANSLATED AS YOUNG BUCK. TRADITIONALLY IN SOUTHWEST INDIAN TRIBES, THE GRANDPARENTS NAME A CHILD BEFORE BIRTH. HAVING BEEN BORN AND RAISED IN THE SOUTHWEST ART CAPITAL, SANTE FE, NEW MEXICO, MY INSPIRATION WAS RELIGIOUSLY LIFEWAY.

AT THE AGE OF TWO MY ART SUPPLIES WERE SECOND HAND AND I WOULD SIT FOR HOURS WATCHING MY FATHER DRAW AND PAINT. IT IS TO HIS HONOR THAT MY ART WORK HAS REACHED THE ENDS OF THE WORLD IN BOTH PRIVATE AS WELL AS PUBLIC ART COLLECTIONS. REFLECTING IN THE WORDS OF THE OLD SAGE: "THE EYES ARE THE WINDOW OF THE SOUL". MOST MY ART WORK PORTRAITS BECAUSE I SEE EACH FACE AS A STORY, LEGEND, LEGACY AND AS A HISTORY OF NATIVE AMERICANS.

IN THE SPIRIT OF, AND IN DEVOTION TO ALL NATIVE AMERICAN INDIANS, MY ARTWORK IS SPECIALIZED IN THOSE AREAS OF INDIAN PORTRAITS AND ANIMALS."

 

"MYSTIC WOLF"

11" BY 14"

FRAMED 18" BY 21"

SIGNED LETTER. 

MANY BLESSINGS.

JASON YOUNGBUCK.

ORIGINAL ART / OA

 DEPICTS A WARRIOR BRAVE, CANIS LUPUS,

AND THE MOON!

 

 

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FYI

 

 

 

Leather is a material created through the tanning of hides and skins of animals, primarily cattlehide.
 
Leather is an important material with many uses. Its main use is in the footwear industry. Together with wood, leather formed the basis of much ancient technology. Leather with the hair still attached is simply called hair-on. The leather industry and the fur industry are distinct industries that are differentiated by the importance of their raw materials. In the leather industry the raw materials are by-products of the meat industry, with the meat having higher value than the skin. The fur industry uses raw materials that are higher in value than the meat and hence the meat is classified as a by-product. Taxidermy also makes use of the skin of animals, but generally the head and part of the back are used. Hides and skins are also used in the manufacture of glue and gelatin.
 
Leather dying usually involves the use of spirit or alcohol based dyes where alcohol quickly gets absorbed into moistened leather, carrying the pigment deep into the surface. "Hi-liters" and "Antiquing" stains can be used to add more definition to patterns. These have pigments that will break away from the higher points of a tooled piece and so pooling in the background areas give nice contrasts. Leaving parts unstained also provides a type of contrast. The predominant brand of leather dye is Fiebing Leather Dye.
 
Alternatives to spirit stains might include a number of options. Shoe polish could be used to dye and preserve leather. Oils, neatsfoot or linseed, can be applied to preserve leather but darkens them. For that reason, a wax paste more often than not serves as the final coat.
 
One interesting note, old gun rigs, saddlebags, wallets and cantanas used by cowboys and buccaroos were rarely colored in the old west. The red, brown, and black tones develop naturally as the oiled leathers absorb the rays of the desert sun.
 
Leather painting
Leather painting differs from leather dyeing in that paint remains only on the surface while dyes are absorbed into the leather. Due to this difference, leather painting techniques can not be used on items that can or must bend nor on items that receive friction. Belts and wallets are not suitable for treatment.
 
A two dimensional surface backed with a board is ideal and common. Often acrylic paints are used on tooled leather pictures, backed with wood or cardboard, and then framed. The glass in not put on top of such pictures because it causes the leather to mold.
 
Three dimensional forms are possible so long as the painted surface remains secured.
 
Leather carving
Leather carving entails using metal implements to compress moistened leather in such a way as to give a three dimensional appearance to a two dimensional surface. The surface of the leather is not intended to be cut through at all, such work being known as filigree.
 
The main tools used to "carve" leather include: swivel knife, veiner, beveler, pear shader, seeder, cam, and backgrounder. The swivel knife is held like a pencil and dragged along the leather to outline patterns. The other tools are punch-type implements struck with a wooden or raw hide mallet. The object is to add further definition by them to the cut lines made by the swivel knife.
 
In the United States and Mexico, the western floral style of carving leather predominates. Usually, these are stylized pictures of acanthis or roses. California, Texas, and a few other styles are common. By far the most preeminent carver in the United States was Al Stohlman. His patterns and methods have been embraced by many hobbyists, scout troops, reenacters, and craftsmen.
 
Leather stamping
 
Examples of geometric stamping on leather.Leather stamping involves the use of shaped implements (stamps) to create an imprint onto a leather surface, often by striking the stamps with a mallet.
 
Commercial stamps are available in various designs, typically geometric or representative of animals. Most stamping is performed on tree-bark tanned leather that has been dampened with water, as the water makes the leather softer and able to be compressed by the design being pressed or stamped into it. After the leather has been stamped, the design stays on the leather as it dries out, but it can fade if the leather becomes wet and is flexed. To make the impressions last longer, the leather is conditioned with oils and fats to make it water-proof and prevent the fibers from deforming.

 

 

(THIS PICTURE FOR DISPLAY ONLY)
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