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Primary image for 1807  French Master Jean-Auguste-Dominique Ingres (1780-1867) red pastel.Study.
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1807 French Master Jean-Auguste-Dominique Ingres (1780-1867) red pastel.Study.

€394,39 EUR
Los buques de France Fr

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Las opciones de envío

GRATIS en Europe
Los buques de France Fr

Política de oferta

OBO - El vendedor acepta ofertas en este artículo. Detalles

La política de devoluciones

Protección de compra

Opciones de pago

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Rasgos del artículo

Categoría:

Art Drawings

cantidad disponible:

Sólo uno en stock, para muy pronto

Condition:

Used

Subject:

Portrait

Date of Creation:

1800-1899

Region of Origin:

Europe

Original/Reproduction:

Original

Size Type/ Largest Dimension:

Small (Up to 14'')

Signed?:

Signed

Listed By:

Dealer or Reseller

Medium:

Pastel

Size Type/Largest Dimension:

Small (Up to 14in.)

Quantity Type:

Single-Piece Work

Originality:

Original

Size:

Medium (up to 36in.)

Height:

14

Width:

11.5

Color:

Red

Features:

Framed

Style:

Academic

Artist:

Ingres

Detalles del anuncio

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Envío de descuento:

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Publicado en venta:

Más de una semana

Artículo número:

1660697000

Descripción del Artículo

1807 French Master Jean-Auguste-Dominique Ingres (1780-1867) pastel Study on paper for the painting Portrait of Granet. Sanguine drawing. Signed dated and titled lower left corner. Good condition. Guaranteed to be an original antique artwork. Sold with a frame that shows the signs of the old age. The frame is provided for free as is. Artist: Jean-Auguste-Dominique Ingres (1780-1867) France. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman. He was finally recognized at the Salon in 1824, when his Raphaelesque painting, The Vow of Louis XIII, was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his Portrait of Monsieur Bertin marked his next popular success in 1833. The following year, his indignation at the harsh criticism of his ambitious composition The Martyrdom of Saint Symphorian caused him to return to Italy, where he assumed directorship of the French Academy in Rome in 1835. He returned to Paris for good in 1841. In his later years he painted new versions of many of his earlier compositions, a series of designs for stained glass windows, several important portraits of women, and The Turkish Bath, the last of his several Orientalist paintings of the female nude, which he finished at the age of 83. Year: Dated 1807 Titled: portrait de Granet Country: France Measurements: Unframed 12" x 9 1/2" (approximately) Framed 14" x 11 1/2" (approximately). Price $450