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Ed Cox Erotic Gay Photograph CHRISTIAN Dancer Overtown Miami 1996 Signed Matted

€68,23 EUR
€68,92 More info
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Estimado para llegar por Wed, Jul 2nd. Detalles
Calculado por USPS en ES.
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OBO - El vendedor acepta ofertas en este artículo. Detalles

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PayPal accepted
PayPal Credit accepted
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PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Las opciones de envío

Estimado para llegar por Wed, Jul 2nd. Detalles
Calculado por USPS en ES.
Los buques de United States Us

Política de oferta

OBO - El vendedor acepta ofertas en este artículo. Detalles

La política de devoluciones

Protección de compra

Opciones de pago

PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted

Rasgos del artículo

Categoría:

Art Photographs

cantidad disponible:

Sólo uno en stock, para muy pronto

Condition:

New

Subject:

Figures

Type:

Photograph

Year of Production:

1994

Signed By:

Ed Cox

Signed:

Yes

Photographer:

Ed Cox

Image Color:

Black & White

Time Period Manufactured:

1990-1999

Framing:

Matted

Original/Licensed Reprint:

Original

Detalles del anuncio

Publicado en venta:

Más de una semana

Artículo número:

1716651738

Descripción del Artículo

Ed Cox Erotic Gay Photograph CHRISTIAN Dancer Overtown Miami 1996 Signed Matted The mat is pencil signed The photo is pen signed Photo measures 9.50" x 7.50" Overall measures 14.00" x 11.00" The photographer is Ed Cox. Since 1988, this self-taught artist has been producing work for the Associated Press as well as nude work for publications such as "Playgirl," "Playguy," "Honcho," "Mandate," "Inches," "Unzipped," "Vulcan," "Prowl" and "Euroguy" among others. Working in black-and-white, his images of naked men "integrated" into architecture and landscapes showed in a number of galleries under the title "For Your Eyes Only." The viewer rarely gets the sense that Cox merely posed and shot his models. The viewer almost never gets the sense that these images are static or lack energy. Even the posed photographs have a sense of movement. Even active people stop for a moment, stare at something.